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Or how can you take advantage of Film Simulations if you shoot raw format?
Original – Adobe Color(Image credit: James Abbott)
Original – Adobe Color(Image credit: James Abbott)
ASTIA/Soft V2(Image credit: James Abbott)
CLASSIC CHROME(Image credit: James Abbott)
CLASSIC Neg(Image credit: James Abbott)
ETERNA/Cinema v2(Image credit: James Abbott)
Camera Pro Neg Hi v2(Image credit: James Abbott)
Camera Pro Neg Std v2(Image credit: James Abbott)
PROVIA/Standard v2(Image credit: James Abbott)
Sepia(Image credit: James Abbott)
Velvia/Vivid v2(Image credit: James Abbott)
ACROS v2(Image credit: James Abbott)
ACROS+G v2(Image credit: James Abbott)
ACROS+R v2(Image credit: James Abbott)
ACROS+Ye Filter v2(Image credit: James Abbott)
Monochrome v2(Image credit: James Abbott)
Monochrome+G Filter v2(Image credit: James Abbott)
Monochrome+R Filter v2(Image credit: James Abbott)
Monochrome+Ye Filter v2(Image credit: James Abbott)