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Instant prints are made via a clever chemical process involving positive emulsion, liquid developer, and dyes.

The film gets exposed when you fire the shutter and develops as it gets ejected from the camera.

A box of Polaroid Blue 600 film surrounded by eight prints

Reclaimed Blue 600 Film is said to have been invented by Polaroid scientist Brian Slaghuis

And when one of those experimental flukes becomes a cult success?

ignited my love of instant photography again.

Thatsthe story from Polaroidanyway, and I dont mind whether its true or a clever marketing gimmick.

The back of a Polaroid Reclaimed Blue Film box

Reclaimed Blue 600 Film is said to have been invented by Polaroid scientist Brian Slaghuis

When I made my first two exposures, I was slightly baffled at the films popularity.

The images were too dark my own underexposure mistakes and it was hard to make out the subjects properly.

Determined not to waste film, I did some more research into Reclaimed Blue.

8 sheets of Polaroid Reclaimed Blue Film on a wooden floor

I want to experiment more with Reclaimed Blue Film, but the first pack was very fun to try(Image credit: Lauren Scott)

But I think thats missing the point of why many people love using Polaroid cameras.

The images aren’t yet masterpieces, but that’s not the point.

Polaroid is calling it#TheReclaimedExperiment, and hoping that its creative audience can shape its potential.

A Polaroid Reclaimed Blue print next to a B&W film

Subjectively, I think Blue 600 prints have more depth than the black and white film(Image credit: Lauren Scott)

Of course, you dont need a Polaroid camera to experiment with new films.

To improve your instant photography, you just need an open mind and a desire to be curious.

Maybe theres something to be said for injecting a little more play into your photography.

A scanned in print of Polaroid Reclaimed Blue 600 Film

A double exposure using Reclaimed Blue 600 film(Image credit: Lauren Scott)

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A scanned in print of Polaroid Reclaimed Blue 600 Film

Contrast and vibrancy feels superior to Polaroid 600 color film(Image credit: Lauren Scott)

A scanned in print of Polaroid Reclaimed Blue 600 Film

The vibrant teals pop out from the print(Image credit: Lauren Scott)

A scanned in print of Polaroid Reclaimed Blue 600 Film

At first, I found it easy to underexpose the Blue 600 film(Image credit: Lauren Scott)

A scanned in print of Polaroid Reclaimed Blue 600 Film

This cyanotype-like look isn’t for everyone(Image credit: Lauren Scott)

A scanned in print of Polaroid Reclaimed Blue 600 Film

Sillhouettes work well with Reclaimed Blue film(Image credit: Lauren Scott)

A scanned in print of Polaroid Reclaimed Blue 600 Film

Textures and high contrasts are well-recorded and visually interesting(Image credit: Lauren Scott)

A scanned in print of Polaroid Reclaimed Blue 600 Film

A quick selfie with the flash works for an eerie result(Image credit: Lauren Scott)

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